One month ago, £56 million was given to arts and heritage organisations to support their endowment funds in the first round of of the Catalyst: endowments programme. Birmingham Royal Ballet’s (BRB) Chief Executive Christopher Barron looks at how his company aims to use their grant to make a difference to the lives of young dancers in the years ahead.
As BRB comes to the end of its current 2011/12 season and the dancers and staff head off on their summer holidays, I reflect on the past year, and particularly the extent of performances that have thrilled audiences in Birmingham, throughout the UK and overseas. It is down to the dedication and expertise of the company’s technical team, the musicians of the Royal Ballet Sinfonia and the supporting staff at home base that these performances come to fruition. Here I draw particular attention to our incredible on-stage performing workforce, the dancers.
Led by the expertise of the Clinical Director Nick Allen and his staff of the company’s Jerwood Centre for Prevention and Treatment of Dance Injuries, we pride ourselves at BRB on the ground-breaking initiatives that are put in place to ensure dancers achieve the longest and healthiest careers possible. I am delighted the Arts Council England’s Catalyst: endowments award will assist BRB to realise this provision further as we establish a programme to teach, train and mentor 40 young dancers (per year) as they enter the profession.
The best teaching, training and mentoring will continue to provide the best dancers so they can continue to dance with one of the best companies in the world, delivering world-class performances at home and overseas. The Catalyst: endowments award will help BRB build a fund that will provide an annual income to invest in this invaluable new programme.
In 2005, the Cadbury Family were recipients of the Carnegie Medal for Philanthropy. The endowment fund to be established, in memory of the late Robin Cadbury and Lady Susan Cadbury, will create the Cadbury Dance Fellowship. The programme will reflect the interests of the Cadbury family in supporting young dance talent at the early stages of their career and was a particular interest of Robin and Lady Susan Cadbury during their lifetimes.
In addition to the direct support of young dancers, I believe the Cadbury Dance Fellowship will further enhance Birmingham Royal Ballet’s leadership credentials as experts in developing dancers, in community outreach work and in enabling individuals to maximize their creative potential. Stimulating philanthropy is a big challenge facing the arts in the UK and is the means by which the great cultural institutions of the UK will sustain themselves and achieve their ambitions.
Support from Arts Council England and the Cadbury family in this way will help BRB promote philanthropy, encourage a re-energised culture of giving in the West Midlands and protect the world-class standards of one of the UK’s leading dance companies – one of the ‘crown jewels’ of the West Midlands cultural scene.
We are already addressing these issues by broadening our funding base. In fact, our efforts to build philanthropic support funded recent successes like David Bintley’s Cinderella. Such popular new works in turn will increase box office income that can be reinvested into other charitable activities for years to come. Looking ahead our goal is clear: to create a thriving ballet company by selling more tickets, finding more paid-for overseas tours, exploiting new media and performing in arenas to larger audiences.
These streams of self-help must continue to grow if we are to create a sustainable and creatively vibrant future for classical ballet.
Next week on the blog, find out what a Catalyst: endowment grant is enabling a heritage organisation to do for its visitors.
Top image: artists of BRB as stars in Cinderella, photo by Bill Cooper
Middle image: artists of BRB in Swan Lake, photo by Bill Cooper
Bottom image: Elisha Willis as Cinderella and Iain Mackay as the Prince with Artists of BRB, photo by Bill Cooper
All images courtesy Birmingham Royal Ballet